Visited an exhibition at
Summerhall this afternoon - entitled Jerry's Map; you can read
more about it here and I'll add the main text immediately below ...
... by total coincidence, the artist (whom we don't know at all - but you can hear directly from him
via this link) is a neighbour of some friends we know in America! You can find that video clip via either
Summerhall TV and/or
Art in Scotland TV ... both sites are most certainly worth a visit :-)
It was great to be able to go to the exhibition, and instantly e-mail some photos (one of them, as above) of us exploring their neighbour's amazing map :-)
It's well worth a visit - appears to be at
Summerhall through until
Friday 24th January.
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Jerry Gretzinger
“The map began as just a doodle. I just made little rectangles and
crosshatched them. Carefully. And I just kept adding rectangles and I
put a river in….and some railroad stations. But there was this moment
when I came to the edge of that sheet of paper…got out another sheet of
paper and put the two together…and I think I taped them together. That’s
when I realized that it kind of had a life of its own.”
An internet sensation, 50 years in the making, Jerry’s Map (as it is
known – it has no official title) is an awe-inspiring artwork on a
colossal scale. Jerry Gretzinger has been slowly drawing and painting
his “map” one 8 x10 inch panel at a time. Working in makeshift studio
spaces during spare moments plucked out between career and family. Jerry
began with a singular doodle of a fictitious city centre, evolving it
into a sublime world of more than 2,500 individual drawings.
Jerry utilises paint brushes, X-Acto knives, adhesive paper, Sharpie
markers, acrylic and watercolour paints as well as informational tools
such as numbered archival stacks and Excel spreadsheets. However, the
most important and unique amongst the tools is chance. He has created
systems governing the growth and decay of the map through what he has
defined as the “future predictor” – a stack of modified playing cards
which he draws from many times a day during his creative process. They
are designed to introduce serendipity and chance into all facets of his
“world.”
Jerry’s Map has never been seen outside of the United States and
Jerry will continue to make modifications to his work at certain periods
during the exhibition.
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